By George Eliot
The Lifted Veil's sickly narrator, Latimer, believes himself to be cursed having the ability to see the longer term and feel the suggestions and emotions of these round him. Disgusted by way of what he sees within the minds of others, he accepts that he'll lead an unobtrusive existence, always overshadowed via his extra energetic elder brother. that's, until eventually he meets and turns into serious about Bertha, his brother's appealing and coquettish fiancée.
The Lifted Veil sits along works comparable to Mary Shelley's Frankenstein and Robert Louis Stevenson's The unusual Case of Dr. Jekyll and Mr. Hyde as a definitive piece of Victorian-era horror fiction, and was once a departure for writer George Eliot who ordinarily occupied with realism in her writing. still, via The Lifted Veil Eliot proves expert at incorporating the mysterious subject matters of the horror fiction style into her special writing style.
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Extra info for The Lifted Veil
It is not so much dimolves the poet’s statement that no an shall the rude forefathers of the hamlet be mused from their lowly bed as the impossibility of their ever having been roused by ‘The breezy call of incense-breathing mom’. It is this brainlessness which prompts Gray to ask questions like ‘Can Honour’s voice provoke the silent dust’. Only Gray, incidentally, would have thought dust needed to be described as silent. A thread of coherence and the requirements of length are preserved just— by asking this sort of qustion and by whole quatrains which grandiloquently expres the lot that was not the rude forefathers’.
And yet what can possibly be said today in defence of her poetry? At her death she was widely regarded as one of the greatest poetasses of all time. Ruskin thought Aurora Leigh the greatest poem in the English language, ‘unsurpassed by anything but Shakespeare not surpassed by Shakespeare’s sonnets’. George Eliot read Aurora Leigh at least three times, and knew of no book that gave her ‘a deeper sense of communion with a large as well as must have been —~ beautiful mind’. These eminent creatures, as well as the unspeakable Swinbume who was also a fervid admirer of the poem, were obviously dazzled by Elizabeth Barrett Browning’s high-minded zeal, and by the sweetness of her personality.
Mrs Browning’s narrative technique is as disordered as her plot; her way of writing about children is gruesome; Aurora is barely credible; the other characters hardly exist. The verse is, in general, virtually unreadable.