New PDF release: Real World Camera Raw with Adobe Photoshop CS5

By Jeff Schewe

This day critical photographers shoot uncooked photos merely. genuine international digicam uncooked with Adobe Photoshop used to be the 1st ebook committed solely to the subject, explaining the benefits and demanding situations of utilizing Adobe digital camera uncooked to supply remarkable photos. genuine global digicam uncooked in Adobe Photoshop CS5 retains velocity with new instructions in electronic images and uncooked snapshot processing. Jeff Schewe, a contributor to the improvement of Adobe digicam uncooked from its beginnings, updates Bruce Fraser’s bestselling publication with insider wisdom of ways new gains enable photographers optimize and convert pictures for the simplest ends up in Adobe Photoshop CS5.Hands-on options convey readers easy methods to disclose and shoot for uncooked snapshot trap in addition to use positive factors comparable to the Adjustment Brush and the Graduated clear out and the recent and enhanced Noise relief, standpoint Crop, and automated Lens Correction. Readers also will easy methods to use the most recent model of Adobe Bridge to regulate the hundreds of thousands of images--and gigabytes of data--that end result from taking pictures in raw.This edition:Builds at the most recent model of digital camera uncooked to increase keep an eye on over your electronic camera's uncooked dossier layout to supply the highest quality images.Shows you ways to use new positive factors in Adobe Bridge CS5 to choose, variety, annotate, and edit hundreds of thousands of uncooked photos quick and efficiently.Guides you in constructing a good uncooked workflow incorporating Adobe Photoshop CS5, digicam uncooked 6, and Bridge CS5

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What you can’t see (and will be shown in Chapter 5, Hands-On Camera Raw) is the amount of local tone and color correction that is also being used. Clearly this image is severely overexposed, but Camera Raw can still be used to get something out of what might otherwise be presumed as nothing. com 38 CHAPTER 2: HOW CAMERA RAW WORKS How Much Highlight Detail Can I Recover? ” If the captured pixel is completely blown out— clipped to white in all three channels—there is no real highlight detail to recover.

Color wheel Red channel Green channel Blue channel Gamma and Tone Mapping To understand the key difference between shooting film and shooting digital, you need to get your head around the concept of gamma encoding. As we explained in Chapter 1, digital cameras respond to photons quite differently from either film or our eyes. The sensors in digital cameras simply count photons and assign a tonal value in direct proportion to the number of photons detected—they respond linearly to incoming light. com DIGITAL IMAGE ANATOMY 23 Human eyes, however, do not respond linearly to light.

Fill Light is an adaptive shadow adjustment tool that uses a mask-based factor to lighten deep shadows. It’s similar to Photoshop’s Shadow/Highlight adjustment but arguably better since it’s working in linear gamma. TIP Check clipping at 100% view. At zoomedout views, you may wind up clipping pixels you didn’t intend to. Always check the 100% view before doing the conversion to make sure that you aren’t clipping pixels you wanted to preserve. Brightness and Contrast. The Brightness and Contrast controls let you tweak the conversion of the intermediate tones from the linear capture to the gamma-corrected output space.

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