By Mark Galer
Unharness the hidden capability for pro snapshot modifying in Adobe® Photoshop® components with this project-based, real-world guide.
Using step by step directions and accompanying motion picture tutorials, Mark Galer leads you thru the fewer famous and strongest post-production modifying innovations Adobe® Photoshop® parts has to supply. crafty methods and smart workarounds assist you to create expert photographs with out positive aspects from the complete Adobe® Photoshop® package deal that you simply want yet don't desire to pay for - practice initiatives you did not imagine have been attainable in Adobe® Photoshop® Elements!
Whether you are an imaging expert or a images fanatic, this booklet can assist you get the utmost functionality out of your software program. learn the way to:
* Create amazing results with out advertisement lights or studio equipment
* expand the dynamic variety of your digicam through merging a number of exposures
* Optimize, increase and montage photos with attractive results
The accompanying DVD presents huge help with motion picture tutorials for all initiatives, excessive solution pictures, multilayered documents of accomplished tasks, a inventory library and a keyboard shortcut guide.
Mark Galer is a contract photographer, entire lecturer and best-selling writer of quantity books on images. he's an authentic Adobe Ambassador for Adobe® Photoshop® and Adobe® Photoshop® parts.
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Extra info for Adobe Photoshop Elements 6 Maximum Performance
If you are really unlucky you will have lost detail both in the shadows and in the highlights as a result of the photographer’s worst enemy - excessive contrast. Not even the magic called Photoshop Elements can dig you out of this hole, my friend. 3 . ). The secret to intelligent color adjustment is that the grass may ‘really’ be greener on the other side. Until you have seen the other side how will you know? With this in mind Adobe has given us ‘Color Variations’. It is a simple case of ‘if you see something else you like - you can have it’.
The Temperature slider controls the blue/yellow color balance whilst the Tint slider controls the green/magenta balance. Moving both the sliders in the same direction controls the red/cyan balance. Note > Although it is a ‘White Balance’ you actually need to click on a tone that is not so bright that it has become clipped (255). Clicking on any light neutral tone (one without any color) is preferable. A photographer looking to save a little time later may introduce a ‘gray card’ or ‘white balance’ reference card in the ﬁrst frame of a shoot to simplify this task.
From the Enhance menu choose ‘Variations’ from the Adjust Color menu. Yes, I know it’s a big box. It needs to be this size so they can get all of the lovely colors in. Just follow the numbers in the box. Start by selecting the Midtones radio button and then adjust the intensity amount in step 2 until you can see the ﬂavored thumbnails in step 3 look about right (not too loud please), and then click on the one you like (color-blind males may need a woman’s touch just about now). Then click OK. For those who have found bliss you can stop this project now - or for those who still want to take another look at that grass, press on to step 5.