By Jennifer Smith, AGI Creative Team
A whole education package deal at the latest model of Photoshop!
The electronic lecture room sequence combines a full-color booklet with a full-featured DVD, leading to an entire education package deal written via specialist teachers. Photoshop is the ordinary for photo modifying, and this consultant will get photographers, advertisement designers, net builders, advantageous artists, and severe hobbyists in control at the most modern model. It comprises thirteen self-paced classes that let you development at your personal pace, with whole lesson records and tutorials at the DVD. themes contain digital camera uncooked, mask and layers, retouching, and masses more.
Photoshop CS6 electronic Classroom is like having your personal own teach instructing you the most recent model of Photoshop.
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Additional info for Adobe Photoshop CS6 Digital Classroom
Indd 47 47 18/5/06 18:09:28 tutorial accentuate your subject’s eyes EYE TECHNIQUES We’ve used mostly basics, with a few little nuggets thrown in Colour adjustment There are several ways to alter eye colour, but Hue/Saturation is probably the best, as it gives control over important elements. The brown of an eye is often vivid – change it to blue without dropping saturation and lightness, and it can look unrealistic. Isolate tones We cheated a bit to darken the eyelashes. Rather than darken each one, we used a Curves adjustment layer that isolated and darkened the shadows only, so midtones and highlights weren’t affected.
No oil painting is complete without canvas texture. There are several ways to apply texture to an image. We used Texturizer, but for a greater choice of options go to Filter>Underpainting and experiment with the settings including Scaling and Relief for the desired texture. Fabric 3 Now the distracting white shirt has been removed, continue building up layers of the fabric. Pre-Raphaelites preferred flowing, rich fabric. This takes time and many strokes to achieve. Remember to concentrate on lighter and mid-range tones first before moving on to the committing darker shades.
This radiation can be reflected or emitted by objects that are not hot, the most effective being green foliage and the human body. In infrared photography, portraits make heavy use of the red channel whereas landscape photographs make heavier use of the green channel, which is sorted in the Channel Mixer. This is why in the image we have used, the trees are made to appear white and the sky darker. Because an open sky has no infrared being reflected or emitted, the sky goes black in infrared photographs and the clouds then stand out in comparison.